The first European Neolithic site I dug was in the south of the Netherlands. All we found were post holes, colourful traces in the yellow sand. We found a handful of pottery shards and a few flint tools, and not very nice ones either, as far as I remember. We were most excited about the remains of traces of old top soils from various periods, or at least I was. It was all very different from the Pre-Pottery Neolithic sites in Jordan I had worked on, where we found huge quantities of finds as well as standing walls.
Yesterday was the official opening of the new exhibition at the Bernisches Historisches Museum. A new temporary exhibition on the Pfahlbauer – Am Wasser und über die Alpen (The Pile Dwellers – on the water and over the alps). And it’s a jaw dropper! I remember the reverence in the voice of the lecturer – I think it was Prof. G. Barker – of our introductory course at University of Leicester. There was obviously something very special about these Swiss Lake side villages. And indeed, you do not have to work in Swiss archaeology long to realise there is something extraordinary about these sites.
Visual zur Wechselausstellung «Die Pfahlbauer – Am Wasser und über die Alpen»
© Bernet & Schönenberger, Gestaltung und Typografie, Zürich
In the middle of the 19th Century Switzerland made a new start, with a new constitution and a new political organisation. Around the same time the first Lake side villages were discovered when, during a dry summer, water levels in lakes across the country dropped dramatically. The inhabitants and builders of these Pfahlbauten, or pile dwellings, have since played a remarkable symbolic role in the building and maintaining of the Swiss national identity. The exhibition, however, only goes into this very briefly and mostly pictorial.
For me as an archaeologist one of the most exciting aspects of these Neolithic and Bronze Age sites, which date between 4300 – 800 BC, is the Continue reading
Posted in archaeology, Archäologie, archeologie, Bern, Bronze Age, exhibition, Neolithic, Switzerland
Tagged alpine archaeology, Archäologie, Bern, Bernisches Historisches Museum, Biel, Bronze Age, Neolithic, Neue Museum Biel, Pfahlbauer - am Wasser und über die Alpen, Schweiz, Switzerland
«Savoir-faire – Mit Kopf und Hand, die experimentelle Archäologie erzählt»
Museum Schwab – 28.05.2011 -26.02.2012
A man with a long grey ponytail, dressed in yellowish leather clothes assembles a stone axe. A little later we see him stalk through the forest with a hafted stone axe in hand, looking for a victim. After a while he finds an average sized, living tree. Within a few minutes he has the tree down.
You wonder why he has to chop down a living, healthy tree. But that is not the main point here. This stereotypical scene of experimental archaeology is shown on a big screen in the entrance hall of the Museum Schwab in Biel/Bienne, Switzerland. This small archaeological museum shows a small selection of excellent finds from the rich archaeology of the region of the Lake of Biel.
Museum Schwab. Biel, Switzerland
The ground floor, however, is reserved for temporary exhibitions. Until Feb. 26th 2012 one can still visit the exhibition «Savoir-Faire», on experimental archaeology. So what does the exhibition show us? I believe the film scenes I described above are a little unfortunate. Throughout the exhibition one does not get to see many experimental archaeologists working, neither in photos not in film. To then start with such a stereotype, which also probably is not true for many exp. archaeologists, is a shame. Especially, as it seems that the rest of the exhibition and also the accompanying booklet tries to give us a very different impression. L. Marquis, the museum’s director, writes in the introduction of the exhibition booklet: “Experimental archaeology asks, using a practical method, about the function and production methods of archaeological finds, asks about the `how´.” (my trans.)
The first half of the exhibition is very hands-on. On a number of low tables examples of materials used to produce various archaeological artefact categories are presented: wooden throwing sticks and spears, pottery, bows and arrows, chipped stone artefacts and polished stone artefacts etc. Considering the location of the Museum within the Three-lake –region, it is not surprising many examples come from the archaeology of the lake side villages. The material samples can all be handled. Each category is accompanied by a leaflet in which the production of the artefact category is described and an example is given of how experimental archaeology has contributed to our understanding of them. Furthermore, examples of each of the artefact categories are presented in nearby a glass case. There is no definite order in which to view the small exhibition and that is fine, really. Especially, if there are many visitors it might be nice to be able to manoeuvre freely around the room. The design is very clean and easily `read´. The visitor is not bombarded with images and text and the designers worked with few colours.
A second room is largely taken up by two `tableaux vivant´. Continue reading