Tag Archives: lithics

Hazelnutrelations goes old school! Would you like some lithics in your postbox?

English text below

Liebe LeserInnen

Schon seit 8 Jahren schleudert hazelnut_relations Wörter und Bilder rund um das Thema meiner Dissertation und meiner weiteren archäologischen Interessen in die digitale Welt hinein. Aber jetzt, endlich, getraut hazelnut_relations sich in die Welt des Analogen hinaus. Die Bilder, die bei der Untersuchung von Gebrauchsspuren an mesolithischen Steinartefakten (meine Dissertation) entstehen, sind nicht nur wissenschaftlich interessant, aber oft durchaus auch schön. Ben Peyer von Version1 und ich habe jetzt eine kleine Auswahl von Bildern verwendet um eine Serie von Postkarten zu produzieren. Und ich würde sie sehr gerne mit Euch teilen!
Wenn Du jetzt neugierig an den Postkarten geworden bist, schick mir etwas mit deiner Adresse darauf in der Post. Was? Irgendetwas: Etwas Archäologisches oder auch etwas völlig anderes, etwas woran Du gerade arbeitest oder etwas was Du gemacht hast oder von wo Du zuhause bist. Ein Foto, ein Flugblatt, ein paar Wörter, einfach irgendetwas was Dich begeistert! Und ich werde mit den Postkarten antworten. Also, nicht vergessen deine Adresse zu erwähnen! Meine Postadresse: Jurablickstr. 5, 3095 Spiegel b.B., Suisse. Ich würde mich sehr freuen von Euch zu hören!

Möchtest Du mehr erfahren warum ich mich entschieden habe diese Postkarte zu machen? klick hier.

version1

Dear readers

For almost exactly 8 years now hazelnut_relations has been spouting out words and pictures about my PhD research and my other archaeological adventures. But now, finally, hazelnut_relations is daring its first tentative steps out of the digital into the analogue. The use wear analysis of Mesolithic stone artefacts I do as part of my PhD research, produces images that are not only scientifically interesting, but that are often also beautiful in their own right. Ben Peyer of Version1 and I have now used these images to make a series of postcards. And I would be very happy to share these with you!

So, if you are curious about these cards, send me something with your address on it by post. Anything you like sharing. Something archaeological or something completely different you are working on or you like, something you made, something from near where you live. A photo, a postcard, a flyer, a few words, anything you are enthusiastic about. Anything at all! In return I will reply with our postcards. So don’t forget to include your postal address! My postal address:Jurablickstr. 5, 3095 Spiegel b.B., Suisse. I would really love to hear from you!

If you would like to know more about why I decided to make these postcards, click here.

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Transforming prehistoric gestures into present day objects. Turning your (PhD-)research into postcards.

Like many archaeologists, I spend my days in a lab or at a desk. I study microscopic traces of use on Late Mesolithic and very early Neolithic stone artefacts to try to find out what these tools were actually used for all those thousands of years ago. By understanding the use of various types of tools we hope to understand the lives and activities on the sites they were found (Arconciel/La Souche and Lutter/St. Joseph) and in Switzerland/Western France at the time of the last hunter-gatherers and the first farmers here. This period, roughly 6500 to 4800 BC, is a fascinating period, during which many things, not least the economy, changes. That is the story I wanted to tell and I wanted to do this in a light-hearted and accessible way. At the same time I wanted to avoid the typical channels of public outreach. But I did want to show the beauty of the process of doing archaeology. This fascination for the archaeology of hunter-fisher-gatherer societies and the transition from the Mesolithic to the Neolithic of the early Holocene together with the wonder of seeing the activities and lives of people who lived such different lives from us in these small stone artefacts were the main reason behind the decision to do something with all the photos I am taking at the microscope.

We archaeologists often tell stories about the sites and objects we study after we have finished excavating and have done with all our analyses. Often the stories we tell are presented as complete and certain, while actually they are often complex and full of ambiguity and are seldom truly finished. We also show reconstructions or we invite the public to visit our excavations, the archetypical activity of archaeologists, and tell stories about and show photos from our digs in more or less exotic localities. But we rarely show the processes and the work we spend most of our time on: Our work in labs, in offices in dark basements of archaeological institutes, hot dighouses or even cold office containers on excavation sites. I hope to show some of these processes of making sense of the archaeological remains and knowledge creation through these postcards. Our, my daily work and the beautiful and fascinating things and objects this work creates and which are seldom seen by anyone.

Most visual depictions by archaeologists either try to show realistic or natural representations of archaeological remains, objects or archaeological deposits or they try to tell a story by creating visual reconstructions. Others are more picturesque and depict the archaeology in the context of the other, the exotic. A fourth category of archaeological visualisations are ethnographic in nature. Especially the first three types of images are usually published in scientific archaeological publications and reports. If the process of doing archaeology is recorded, it is often in the form of the ethnography of archaeology. With these postcards I hope to document the process of archaeology in a differing way. Furthermore, by publishing them on postcards, these photos are able to leave the elitist and restricted realm of scientific publication and other environments in which archaeology can usual be found, be it museums or public monuments or websites. The postcards feature microscopic photos of use wear traces and thus transform the gestures of people in the distant past into material haptic objects in the everyday lives of people in the twenty-first century.

Further inspirations for this little postcards project are the latent undercurrent of and recent call for more alternative and punk-ethos in certain circles in the archaeological community and the stones of the Murgtal Steingarten-project and Mail Art activities of concept artist H.R. Fricker. They stimulated me in the first place to produce something relatively inexpensive and easy to produce (of course, this would not have been possible without the great Ben Peyer of Version1!), common objects, but also something that could feature in everyday life and does not require huge effort on the part of the beholder. Postcards fitted the bill. On the one hand they are collectable objects, on the other they are mundane, everyday objects.

The postcards me and Ben made certainly don’t follow the visual vocabulary of the punk-tradition, but using such mundane objects for publicising my PhD-research and injecting them into everyday life, they might refer to some extend to the punk-ethos. Not unlike the visual output of punk culture, Mail-Artists in the second half of the 20th century made a lot of use of collage and montage techniques as well as stamps and other media and also had a strong d-i-y tradition. Furthermore, I hope the postcards also refer in a tongue-in-cheek manner to the Mail-Art movement and the way scientists in the past – before scientific journals became so common – spread and discussed their scientific findings by correspondence and letters.

Both the punk and the Mail Art movements were also about creating and maintaining communities at various scales. Lately, a lot of exchange between archaeologists and scientists in general takes place in the digital world, via email, social media, blogs, podcasts and platform such as researchgate. With these postcards I would like to extend these lively conversations into the physical world while at the same time, using digital channels to spread them. And last, I still think it is great to receive a postcard in the post and love sending them.

So, if you want to know how to receive a postcards, have a look here. It would be great to hear from you!

I decided not to use references in this text, but the following publications have inspired the production of the postcards and this text:
• Barthes, R., 1980, La chambre claire, Paris
• Edwards, E., 2002, Material beings: objecthood and ethnographic photographs, in Visual Studies, Vol. 17, 1
• H.R. Fricker > work in general more specifically the Steingarten Murgtal project
• Hamilakis, Y., Anagnostopoulos, A. and Ifantidis, F. (2009) Postcards from the edge of time: archaeology, photography, archaeological ethnography, in Public Archaeology, 8, (2-3), 283-309
Punk Archaeology
• Shanks, M. 1997, Photography and Archaeology, in Brian Molyneaux, B. (ed), The Cultural Life of Images: Visual representation in Archaeology
• Those two great blogs by Colleen Morgan – Middle Savagery and Bill Caraher – The archaeology of the mediterranean world

 

Hafting microliths II – North and south of the Alps

Some things change, some things stay the same. The latter is true for archaeologists as well. And so, for us microliths are still the superstars of the Mesolithic; the fascination they hold as arrowheads of the intrepid Mesolithic hunter, and their use to archaeologists as a finds group that can help them (relatively) date sites or occupational phases of sites. Archaeologists do this by comparing their form and how they are made with those found on sites with known absolute dates, often obtained through radiocarbon dating. Some time ago, it became apparent to me that I knew only of very few microliths from the Alps with evidence of how they were used. They are typically seen as arrowheads, but is that really true? Don’t you agree they, for example, also resemble the blades of Stanley/Japanese/utility knives?

Since then, I have learned about of a group of microliths from the Gaban rock-shelter in the Adige valley, northern Italy. And I have been able to study the microliths from Arconciel/La Souche, Switzerland as well. The artefacts from both sites tell us a lot about how these enigmatic microliths were used all those thousands of years ago. The tools from the Gaban rock-shelter were already studied some years ago by E. Cristiani and colleagues (2009) using two main methods, both involving microscopy. First, they were able to use macroscopic and microscopic traces of wear caused by the tools’ use to determine that the majority of the microliths at Gaban, these are so called trapezes, were used as projectile points. Secondly, the researchers recognised residues on them and they interpreted these as elements of the mastics used to fix the flint tools in the arrow shafts. Two kinds of residues were recognised. A brown residue turned out to be a mixture of bitumen, probably birch tar, and beeswax. The other, red residue turned out to be ochre. The location of theses residues on the tools seems to show how the tools are fixed into the arrow shafts (Cristiani et al, 2009).

Cristiani_etal_2009_Hafting_II_hazrel

Residue distribution and reconstructions of the use of the trapezes. A) Trapeze position as an element of a composite arrowhead. B) Use of the trapeze on a single distal point. From Cristiani et al., 2009 Fig. 8 and 10.

The work on the microliths from Arconciel/La Souche is not yet completely finished, but it is already clear that both strands of evidence for the use of the artefacts from the Riparo Gaban are also present at microliths from Arconciel. Arconciel/La Souche lies at the foot of the Prealps, north of the Alps. Not exactly near the Dolomites. Their date is similar, though, and we know similar looking microliths were produced in much of Europe during the end of the Mesolithic. It is thus interesting to compare the findings of the research into the use of the microliths from Gaban and Arconciel. And indeed a number, but not all of the microliths from Arconciel/la Souche have been used as arrowheads as well, but apparently not in exactly the same way as the arrowheads from Gaban in Northern Italy. The way they were fixed in arrow shafts also differs.
ResearchBlogging.org

But many questions about the exact use and function of this type of tools are still open. What did people in the Mesolithic hunt with these arrows? And how? And why do some of the microliths show they were used for other tasks, even though they seem to look exactly the same as those used as arrowheads? And why does it differ so much between sites? And if they are used differently, can we still use these tools to date sites? I guess, our growing knowledge of the role microliths played in the lives of hunter-fisher-gatherers living in central Europe eight thousand years ago will probably only increase our fascination with them!

Cristiani, E., Pedrotti, A., & Gialanella, S. (2009). Tradition and innovation between the Mesolithic and early Neolithic in the Adige Valley (northeast Italy). New data from a functional analysis of trapezes from the Gaban rock-shelter Documenta Praehistorica, 36 DOI: 10.4312/dp.36.12

Glaciers, forests and prehistory between Andermatt and Hospental

«Gletscher, Wald und Steinzeitmenschen im Urschnertal»

English text below.

Sechs Jahre ist es schon her, dass ich an den archäologischen Prospektionen und Ausgrabungen im Urserntal, zwischen Andermatt und Hospental, teilnahm. Die Funde, welche v. A. aus der Römerzeit, dem Mittelalter sowie aus der Bronzezeit und dem Mesolithikum stammen, wurden vor einigen Jahren ausgewertet und publiziert. Jetzt sind diese archäologischen Funde mit der faszinierenden Wald- und Gletschergeschichte zusammen geführt worden und in einer schönen Sonderausstellung im Talmuseum Urserntal in Andermatt zu sehen.
Neben vielen Bilder, die die Wald-, Gletscher- und Kulturgeschichte illustrieren und einem eindrücklichen Tonbildschau sind viele originale Objekte ausgestellt. So gibt es erstaunlich gut erhaltene und bis zu 8000 Jahre alte fossile Baustämmen zu bestaunen. Sie sind instrumental für das Verständnis des Urserntals so wie wir es heute kennen. Zu guter Letzt ist auch eine schöne Auswahl von archäologischen Funden zu sehen, die etwa 7000 Jahre Menschheitsgeschichte im Urserental widerspiegeln.
Letzten Freitag fand die Vernissage statt, verbunden mit einem erfreulichen Wiedersehen mit alten Kollegen. Die Ausstellung ist noch bis 8. Okt. 2016 zu sehen. Die Öffnungszeiten (Mi-So 16-18:00) erlauben den Besuch nach einen schönen Tag im Schnee oder einer Wanderung im Gotthardgebiet.

Publikationen: Siehe weiter unten

Hazrel_20160108_GletscherWaldSteinzeitmenschen

Fosil woods in the exhibition “Gletscher, Wald und Steinzeitmenschen im Urscherntal” Talmuseum Urserntal, Andermatt.

It has already been six years since I took part in the archaeological survey and excavations between Andermatt and in Hospental in the Urserntal. Finds dating to roman times, the Middle Ages as well as the Bronze Age and Mesolithic, have been analysed and published some years ago. Now, these finds have been combined with the evidence for glacial- and forest histories and have been made into a special exhibition at the Talmuseum Urserntal in Andermatt.
A great number of visuals and an impressive slide/audio-show illustrate the natural and cultural history of the valley. But many original objects can be seen as well. Amazingly well preserved fossil trees dating up to 8000 years back are essential in explaining the glacial and forest histories of the Ursern valley. The valley’s 7000 year long cultural history is shown through archaeological finds spanning this long period.
Friday, the exhibition was officially opened. It is well worth a visit and for many of us it was a good opportunity to meet up with old colleagues again. The exhibition will be open until Oct. 8th 2016. And the best thing is: the opening times (16-18:00 Wed. – Sun.) mean that it is perfect for a visit after a day on the slopes or after a good hike.

Publications:
2014 “Spuren einer Kulturlandschaft. Archäologie Untersuchungen bei Hospental 2007 und 2010.” Historisches Neujahrsblatt 2013, Neue Folge 68, 1/103, pp. 37-83. ISSN: 978-3-906130-87-3

Auf der Maur, C. & Cornelissen, M., 2014, Die spätmesolithische und bronzezeitliche Fundstelle Hospental-Moos. Ein Einblick in das urgeschichtliche Urserntal, in “Spuren einer Kulturlandschaft. Archäologie Untersuchungen bei Hospental 2007 und 2010.Historisches Neujahrsblatt 2013, Neue Folge 68, 1/103, pp. 37-83.

Spillmann, P., Labhart, T., Brücker, W., Renner, F., Gisler, C. & Zgraggen, A., 2011, Geologie des Kantons Uri. Naturforschende Gesellschaft Uri, Bericht 24, Altdorf

My Day of Archaeology 2015 – Reminiscing about archaeology and the Tour de France

July 24th 2015. It’s the Day of Archaeology again. A day for some mundane work and reminiscing. Go and have a look at the many fantastic insights archaeologists the world over give us into their work. And here you find my day of archaeology 2015.  It starts so:

You know what? My day of archaeology will be archaeology, but it will also be a very normal summer’s day. I am a Dutch archaeologist. I don’t live or work in the Netherlands, I’m in Switzerland, but there are certain things that I still enjoy doing the Dutch way. Let me explain. My day will consist of writing a few longer emails to colleagues who have asked for information. I will also be gathering and checking my use wear lab equipment for next week. Have I still have enough forms, are the photos and sketches that I need ready, where are my – plastic! – callipers? (Don’t ever let me see you use metal calipers on chipped stone artefacts!) Such things. Oh, and I promised my wife to get some ice-cream: There are ripe raspberries in the garden.

Nothing terribly exciting, but that’s okay because…

doa-noyear-200px

Gampelen/Rundi, Mesolithic sites on a sand dune in the Swiss `Seeland´.

View over the Rundi dune, Gampelen during the test-trenching campaign for the AD Bern. September 2015.

View over the Rundi dune, Gampelen during the test-trenching campaign for the AD Bern. September 2015.

Sand. Like the sand in a sand box. No stones, no clay nor silt, just beautiful yellow sand. My very first dig was in the southern Netherlands and the soil consisted solely of sand. And it was great! I then spend a number of years digging in sand and I guess, it became my first archaeological “home-soil”. I have since dug in many countries and even more soil types and let me tell you, digging is never faster as in sand. I am not saying there are no challenges in understanding the stratigraphy and archaeology, but it truly is very handy. So when I got a phone call if I wanted to do some test-trenching in a sandy area in Switzerland I was quite keen. When I heard it was in Gampelen, where a number of Mesolithic surface concentrations have been long known and one – Jänet 3 – has been excavated, I was sold!

Two chipped stone tools from Gampele, Jänet 3 (surface finds), found by H. Stucki. From Cornelissen, in Archäologie Bern, 2015.

Two chipped stone tools from Gampelen, Jänet 3 (surface finds), found by H. Stucki. From Cornelissen, in Archäologie Bern, 2015. Drawings: Chr. Rungger (AD Bern).

I took a few months off from the big PhD and although we did not find much archaeology in the way of finds and structures, we did find some and we were also able to firmly establish the edge of the Lac de Neuchâtel here during the Mesolithic. Besides, it was very good to be able to take some distance from the PhD-work for a short while. The surface scatters in the vicinity of our test trenches we now know were, like Jänet 3, situated near small depressions on top of Aeolian sand dunes. In these depressions might have either stood open water or moors. From the stratigraphy it is now also clear that not all finds have been ploughed up yet and some of the archaeology might still be preserved in-situ. So, in a way it turned out to be more of a landscape archaeological project than your average Meso-dig. Since then dendro-archaeologist Matthias Bollinger and the WSL have also established that much of the sand of the Rundi dune must have been deposited in the 10th Millennium BC. Moreover, the wood samples we took during the test-trenching will help to extend the dendrochronological curve of the area a bit further towards the Late Glacial period. And all of that from that lovely sand in the Seeland!

Cover Archäologie Bern 2015

We even made it on the cover of “Archäologie Bern 2015”!

It was photographer Heini Stucki who originally discovered these sites and he has been field walking here the past 30 odd years. The full test-trenching report has now been published and also includes the surface finds from the past decade. A short summery of the results was also published as a “Fundbericht” in the Annuaire d’Archaéologie Suisse 98, 2015.

And when you’re finished looking up the Gampelen report, do have a look at Heini Stucki’s website and his beautiful photos as well!

(With many thanks to the mighty Rolf W.!)

References:

Cornelissen, M., 2015, Gampelen, Rundi und Jänet. Eine mesolithische Dünenlandschaft am Neuenburgersee. In Archäologie Bern / Archéologie bernoise. Jahrbuch des Archäologischen Dienstes des Kantons Bern 2015 / Annuaire du Service archéologique du canton de Berne 2015. Bern, Arch. Dienst Kanton Bern. Pp. 64-67. ISBN 978-3-907663-48-6.    (Zu beziehen in Buchhandlungen oder bei Verlag RubMedia, Tel. 031 380 14 80.)

Cornelissen, M., 2015, Gampelen BE, Rundi. Annuaire d’Archéologie Suisse 98.  Pp. 176-7.

Nielsen, E., 1991, Gampelen – Jänet 3. Eine mesolithische siedlungsstelle im westlichen Seeland. Bern, Staatlicher Lehrmittelverlag.

The “Gestures of Transition” circus tours Switzerland

It’s been a busy few weeks for Laure, my project partner, and me. We’ve been doing a bit of a tour of Switzerland, presenting and discussing our research. Back in February I did a so-called “lightning talk” (6 min) on Late Mesolithic scrapers at a colloquium for PhD candidates in Archaeology of the Universities of Basel, Berne and Zürich in Basel. It’s an interesting format, forcing you to focus on what is essential in your research. It provides a nice challenge for the speaker in that she/he has to really think about what are the most important points she/he wants to get across to her/his audience and how to do so. As a listener they are pleasant to listen to, as they are meant to have a good narrative, focuss on a single or few main points and leave out lots of secondary material. I think a lot of conferences/round tables etc. would benefit from having at least some presentations being held in some form of short presentation.
Last week, those researchers involved in the post-excavation analyses of Arconciel/La Souche met in Fribourg to share their first results and discuss how to continue. We were able to see a selection of finds, such as the bone and antler tools and Laure showed us briefly how she is dealing with 25,000 lithic artefacts. It’s nice to see, that besides Laure’s and my work on the lithic artefacts, other work is also getting underway. Patricia Vandorpe is studying the archaeobotanical macro-remains. Luc Braillard has been studying the sedimentological thinslides, providing new evidence on sediment ontology in the rock-shelter. And Aurelie Guidez is getting the first interesting results on the faunal remains from the younger occupation at Arconciel/La Souche.

After a fruitful meeting in Zürich on Wednesday with Prof. Ph. Della Casa, project PI and one of my PhD supervisors, Laure and went to present our methodology and first results to her colleagues at the Université de Neuchâtel. I had been to Neuchâtel a few times before, but had always had bad weather. So, not only have I come back from Neuchâtel with happy memories of interesting discussions, but I am also very chuffed to have finally seen the beautiful Lac de Neuchâtel and the view of the Alps from there!

View over the Lac de Neuchatel towards teh Swiss Alps.

View over the Lac de Neuchatel towards the Swiss Alps.

So, thanks to everyone we met, who listened to and discussed with us and for the invitations! But, after meeting so many colleagues all over Switzerland and after all the stimulating discussions, I have to say I am keen to once again get on with my research and get writing again!