Tag Archives: use wear analysis

Trapèzes, fléchettes et autres pointes – a new publication!

« Trapèzes, fléchettes et autres pointes : évolution des armatures du second Mésolithique au Néolithique ancien entre Jura et Préalpes suisses. » was just published as part of a volume full of French, Belgian and Swiss Mesolithic goodies. It has it all: lithic technology, typology and use-wear. Enjoy your reading!

You can buy the book here. Or surely, your preferred local bookshop will be able to organise it for you as well.

Bassin (L.), Cornelissen (M.), Jakob (B.), Mauvilly (M.) 219 – Trapèzes, fléchettes et autres pointes : évolution des armatures du second Mésolithique au Néolithique ancien entre Jura et Préalpes suisses. In : Arbogast (R.-M.), Griselin (S.), Jeunesse (C.), Séara (F.) (dir.) – Le second Mésolithique des Alpes à l’Atlantique (7e – 5e  millénaire). Table ronde internationale, Strasbourg, les 3 et 4 novembre 2015 , Strasbourg, 11-37 (Mémoires d’Archéologie du Grand-Est 3).

Summary

The rich lithic assemblages from the sites Arconciel/La Souche and Onnens/Praz Berthoud provide new insights into the end of the Mesolithic in western Switzerland. The continuous stratigra-phic sequence at the rock-shelter of Arconciel/La Souche (canton of Fribourg) was excavated between 2003-2012. It evidences the repeated occupation of the site between 7100-4800 BC. The numerous projectile points found here show the typological development of this artefact category throughout its occupation. This development is characterised by the appearance of Late Mesolithic blade and trapeze industries just before the middle of the 7th Millennium BC and a continuing tradition of production into the 5th Millennium BC. Macro- and microscopic use wear analysis of a sample of artefacts allows the discussion of the function of artefacts which are habitually called projectile points. These analyses indicate multiple uses of the artefacts throughout the site’s occupation and show how those artefacts used as projectile points were probably hafted. Excavated between 1997-2004, open-air site Onnens/Praz-Berthoud (canton of Vaud) is another rare example of a recently excavated site dating to the end of the Mesolithic on the Plateau Suisse. In addition to a comparable corpus of Late Mesolithic projectile points, an assemblage of Early Neolithic, 5th Millennium lithic artefacts extends the chronological range offered by Arconciel/La Souche. Although there are small differences between the projectile point assemblages from the two studied sites, there are many parallels as well. This is especially true for the symmetric and rectangularly shaped trapezes and some of the so-called “evolved” points. A diversification of shapes can be observed towards the end of the Mesolithic. This diversification is accompanied by an increasingly asymmetric trapezes and the appearance of small, asymmetric points with concave bases, called “evolved” points or “fléchettes”. With time these small points show ever increasing inverse and invasive retouch, slowly developing the characteristics of Early Neolithic points. The comparative study of two assemblages of projectile points provides new insights into the typological characteristics and their developments throughout the End of Mesolithic and the beginning of the Neolithic north of the Alps. This study increases our knowledges of the Late Mesolithic of the Swiss Plateau, while the archaeology of the following period, esp. that between 4800 and 4500 BC remains difficult to grasp here. Little comparative material is momentarily available for the rare material from this period from Onnens/Praz Berthoud.

Résumé

Avec chacun de riches séries lithiques, les deux sites d’Arconciel/La Souche et d’Onnens/Praz Berthoud viennent compléter nos connaissances de la fin du Mésolithique en Suisse occidentale. L’abri sous roche d’Arconciel/La Souche (canton de Fribourg) a comme principale caractéristique une stratigraphie conséquente, avec des phases d’occupation qui se succèdent chronologiquement presque sans interruption de 7100 à 4800 av. J.-C. Il livre également une série importante d’armatures dont l’évolution typologique jalonne le remplissage de l’abri. En plus d’un corpus comparable du second Mésolithique, le site de plein air d’Onnens/Praz Berthoud (canton de Vaud) vient quant à lui apporter un assemblage de pièces qui sont datées dans la continuité au cours des quelques siècles postérieurs à 4800 av. J.-C. L’observation des séries de ces deux sites apporte des élé-ents de caractérisation typologique pour la fin du Mésolithique au nord des Alpes. En plus de cette approche typologique, la fonction de ces pièces définies comme armatures est également questionnée avec l’analyse tracéologique de quelques artefacts d’Arconciel/La Souche. Les résultats de ces observations conjointes mettent en évidence la diversité des armatures de la fin du Mésolithique avec une évolution des trapèzes qui deviennent de plus en plus asymétriques, parallèlement à l’apparition de petites pointes dites « évoluées » (fléchettes, pointes asymétriques à base concave) tendant vers des pièces davantage recouvertes de retouches rasantes, jusqu’à celles caractéristiques … (auch auf Deutsch unten) Continue reading

The unexpected little joys of lithic use wear analyses II

A little while ago I posted a photo of a crystal inclusion in a white flint bladelet. I promised to post some more, whenever I think of it. So here is another example of the beautiful things I have encountered doing the use wear analyses. This burnt flint bladelet, like the last example from Late Mesolithic layers at Lutter/St. Joseph, France, did not show any signs of use. However, the microscope does show beautifully the microfossils within the flint, or possibly radiolarite, out of which it was made. And, like the last example, this photo also shows the possibilities of the digital microscope I have been able to use for the study of the use wear analyses of Late Mesolithic artefacts from two Lutter/St. Joseph, France and Arconciel/La Souche, Switzerland.

Microfossils, Lutter/St. Joseph. France. Mesolithic

Micro-fossils in a Late Mesolithic burnt retouched bladelet from Lutter/St. Joseph, France. Composite (focus stacking) image (150x) I made with a Keyence Digital microscope (Dep. Of Geosciences at the Université du Fribourg, Switzerland.)

The alpine Mesolithic and the scrapers from Arconciel/La Souche. Oh, and much much more!

Way back in 2014 Laure Bassin and I presented the first results of our Gestures of TransitionsGestures of Transitions project at the MesoLife conference in Selva di Cadore in the beautiful Dolomites. Now these results have been published in a new volume of Preistoria Alpina. We could increase our results beyond those presented in the poster then and are pleased to be able to show a nice summary of our study of the scrapers from the Late Mesolithic layers at Arconciel/La Souche, Switzerland.

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Late Mesolithic scrapers from Arconciel/La Souche, Switzerland. Illustration: SAEF/AAFR

Scrapers are special at this site. Not only are many extremely small, an extraordinary large proportion of tools found at Arconciel/La Souche, over 50% of tools, were scrapers. So, curious about what we found out about these seemingly so insignificant little tools? You can download the paper here:

Cornelissen, M. and Bassin, L., 2016. Alpine raw materials and the production and use of scrapers at the Swiss Late Mesolithic site of Arconciel/La Souche, Preistoria Alpina 48, pp. 11-19

Abstract
The well stratified rock shelter site of Arconciel/La Souche, Switzerland was repeatedly occupied between 7100 and 4900 cal BC. It lies in the Sarine river valley at the foot of the Prealps. This paper presents the first preliminary results of the study of the scrapers from this site. Of the chipped stone tool categories, scrapers are the most numerous found at Arconciel/La Souche. A combined technological and microscopic use wear study of the scrapers from three assemblages (ensemble
3, 4 and 5) has allowed us to examine the use and production of scrapers as well as how production and use relate to the various raw materials utilised at Arconciel/La Souche. We were able to show that although scraper morphology remained stable over time, there was a significant change in the relationship between raw materials and scraper production as well as the use of scrapers.
This research will be expanded to include other assemblages and chipped stone artefact categories from Arconciel/La Souche, but has already provided important new insights into artefact use-life in the still relatively poorly understood millennium leading up to the end of the Mesolithic on the Swiss Plateau and the nearby Prealps.

But there is even more! Preistoria Alpina has changed its set-up. The journal is now only available online and open-access. All posters from the MesoLife conference were published in this volume and are available! The papers presented one those hot summer days in the Dolomites have recently been published in volume 423 of Quaternary International. (With a little something about recent Mesolithic finds in the Swiss Alps by Thomas Reitmaier and myself.) That makes an amazing total of 48 articles on alpine Mesolithic!

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Late Mesolihtic scrapers from Arconciel/La Souche, Switzerland. Illustration: SAEF/AAFR

These two volume show how vibrant the research of the Mesolithic in alpine and mountainous enviroments has become of late and will undoubtly be shown to be valuable additions to our knowledge of the Mesolithic in Europe. Hats off to the MesoLife organisers and editors of these two volumes!

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The “Gestures of Transition” circus is still touring: This week at the Berner Zirkel!

About two weeks ago Laure Bassin and I presented our PhD research at the Universität Zürich. And that’s not it yet. We are very excited to annouce that this Thursday, December 8th, we will be talking (in German) about the “Gestures of Transitions” project at the Berner Zirkel für Ur- und Frühgeschichte. Samichlaus will be off again by then, but it will be a bag full of Mesoltihic goodies for everyone! Artefact biographies, use wear, chaînes opératoires, all based on our research on the lithic material from Arconciel/La Souche and Lutter/St-Joseph. In short the Mesolithic-Neolithic transition in Switzerland from a different point of view. The Berner Zirkel talks are aimed at the general public. Do look in if you are nearby. We would live to see you there!

Donnerstag 8.12.2016 18:30  –  Universität Bern, Hörsaal 114

Steingeschichten. Das Endmesolithikum zwischen Voralpen und Jura, geschrieben von den letzten Jäger- und Sammler/innen

Mit ihrer für das schweizerische Mittelland einzigartigen Stratigraphie ermöglicht es die Fundstelle Arconciel/La Souche (Kt. Freiburg) 2000 Jahre des Mesolithikums zu erforschen. Die ebenfalls vor wenigen Jahren untersuchte Fundstelle Lutter/St. Joseph (Elsass, FR) dient dabei als Vergleich. Im Nationalfonds-Projekt «Gestures of Transitions» wird mit neuen methodologischen Ansätzen das Ende des Mesolithikums im peri-alpinen Europa untersucht. Im Zentrum stehen Artefaktbiographien und die Kombination von technischen Untersuchungen und Gebrauchsspurenanalysen.

Wie wiederspiegeln sich die tiefgreifenden sozialen und wirtschaftlichen Veränderungen am Übergang zum Neolithikum in der Herstellung und im Gebrauch der Artefakte? Und erlauben sie es die Geschichten, welche sich an den zwei Orten abspielten, zu rekonstruieren?

cutting_bone

Experimentally cutting wild boar bone with hafted lithic tools. Photo: M. Cornelissen

The Berner Zirkel is also on Facebook with all sorts of new about archaeology in the canton of Berne and the region.

Gallery

Experimenting with notched blades

This gallery contains 2 photos.

Hazelnutrelations goes old school! Would you like some lithics in your postbox?

English text below

Liebe LeserInnen

Schon seit 8 Jahren schleudert hazelnut_relations Wörter und Bilder rund um das Thema meiner Dissertation und meiner weiteren archäologischen Interessen in die digitale Welt hinein. Aber jetzt, endlich, getraut hazelnut_relations sich in die Welt des Analogen hinaus. Die Bilder, die bei der Untersuchung von Gebrauchsspuren an mesolithischen Steinartefakten (meine Dissertation) entstehen, sind nicht nur wissenschaftlich interessant, aber oft durchaus auch schön. Ben Peyer von Version1 und ich habe jetzt eine kleine Auswahl von Bildern verwendet um eine Serie von Postkarten zu produzieren. Und ich würde sie sehr gerne mit Euch teilen!
Wenn Du jetzt neugierig an den Postkarten geworden bist, schick mir etwas mit deiner Adresse darauf in der Post. Was? Irgendetwas: Etwas Archäologisches oder auch etwas völlig anderes, etwas woran Du gerade arbeitest oder etwas was Du gemacht hast oder von wo Du zuhause bist. Ein Foto, ein Flugblatt, ein paar Wörter, einfach irgendetwas was Dich begeistert! Und ich werde mit den Postkarten antworten. Also, nicht vergessen deine Adresse zu erwähnen! Meine Postadresse: Jurablickstr. 5, 3095 Spiegel b.B., Suisse. Ich würde mich sehr freuen von Euch zu hören!

Möchtest Du mehr erfahren warum ich mich entschieden habe diese Postkarte zu machen? klick hier.

version1

Dear readers

For almost exactly 8 years now hazelnut_relations has been spouting out words and pictures about my PhD research and my other archaeological adventures. But now, finally, hazelnut_relations is daring its first tentative steps out of the digital into the analogue. The use wear analysis of Mesolithic stone artefacts I do as part of my PhD research, produces images that are not only scientifically interesting, but that are often also beautiful in their own right. Ben Peyer of Version1 and I have now used these images to make a series of postcards. And I would be very happy to share these with you!

So, if you are curious about these cards, send me something with your address on it by post. Anything you like sharing. Something archaeological or something completely different you are working on or you like, something you made, something from near where you live. A photo, a postcard, a flyer, a few words, anything you are enthusiastic about. Anything at all! In return I will reply with our postcards. So don’t forget to include your postal address! My postal address:Jurablickstr. 5, 3095 Spiegel b.B., Suisse. I would really love to hear from you!

If you would like to know more about why I decided to make these postcards, click here.

Transforming prehistoric gestures into present day objects. Turning your (PhD-)research into postcards.

Like many archaeologists, I spend my days in a lab or at a desk. I study microscopic traces of use on Late Mesolithic and very early Neolithic stone artefacts to try to find out what these tools were actually used for all those thousands of years ago. By understanding the use of various types of tools we hope to understand the lives and activities on the sites they were found (Arconciel/La Souche and Lutter/St. Joseph) and in Switzerland/Western France at the time of the last hunter-gatherers and the first farmers here. This period, roughly 6500 to 4800 BC, is a fascinating period, during which many things, not least the economy, changes. That is the story I wanted to tell and I wanted to do this in a light-hearted and accessible way. At the same time I wanted to avoid the typical channels of public outreach. But I did want to show the beauty of the process of doing archaeology. This fascination for the archaeology of hunter-fisher-gatherer societies and the transition from the Mesolithic to the Neolithic of the early Holocene together with the wonder of seeing the activities and lives of people who lived such different lives from us in these small stone artefacts were the main reason behind the decision to do something with all the photos I am taking at the microscope.

We archaeologists often tell stories about the sites and objects we study after we have finished excavating and have done with all our analyses. Often the stories we tell are presented as complete and certain, while actually they are often complex and full of ambiguity and are seldom truly finished. We also show reconstructions or we invite the public to visit our excavations, the archetypical activity of archaeologists, and tell stories about and show photos from our digs in more or less exotic localities. But we rarely show the processes and the work we spend most of our time on: Our work in labs, in offices in dark basements of archaeological institutes, hot dighouses or even cold office containers on excavation sites. I hope to show some of these processes of making sense of the archaeological remains and knowledge creation through these postcards. Our, my daily work and the beautiful and fascinating things and objects this work creates and which are seldom seen by anyone.

Most visual depictions by archaeologists either try to show realistic or natural representations of archaeological remains, objects or archaeological deposits or they try to tell a story by creating visual reconstructions. Others are more picturesque and depict the archaeology in the context of the other, the exotic. A fourth category of archaeological visualisations are ethnographic in nature. Especially the first three types of images are usually published in scientific archaeological publications and reports. If the process of doing archaeology is recorded, it is often in the form of the ethnography of archaeology. With these postcards I hope to document the process of archaeology in a differing way. Furthermore, by publishing them on postcards, these photos are able to leave the elitist and restricted realm of scientific publication and other environments in which archaeology can usual be found, be it museums or public monuments or websites. The postcards feature microscopic photos of use wear traces and thus transform the gestures of people in the distant past into material haptic objects in the everyday lives of people in the twenty-first century.

Further inspirations for this little postcards project are the latent undercurrent of and recent call for more alternative and punk-ethos in certain circles in the archaeological community and the stones of the Murgtal Steingarten-project and Mail Art activities of concept artist H.R. Fricker. They stimulated me in the first place to produce something relatively inexpensive and easy to produce (of course, this would not have been possible without the great Ben Peyer of Version1!), common objects, but also something that could feature in everyday life and does not require huge effort on the part of the beholder. Postcards fitted the bill. On the one hand they are collectable objects, on the other they are mundane, everyday objects.

The postcards me and Ben made certainly don’t follow the visual vocabulary of the punk-tradition, but using such mundane objects for publicising my PhD-research and injecting them into everyday life, they might refer to some extend to the punk-ethos. Not unlike the visual output of punk culture, Mail-Artists in the second half of the 20th century made a lot of use of collage and montage techniques as well as stamps and other media and also had a strong d-i-y tradition. Furthermore, I hope the postcards also refer in a tongue-in-cheek manner to the Mail-Art movement and the way scientists in the past – before scientific journals became so common – spread and discussed their scientific findings by correspondence and letters.

Both the punk and the Mail Art movements were also about creating and maintaining communities at various scales. Lately, a lot of exchange between archaeologists and scientists in general takes place in the digital world, via email, social media, blogs, podcasts and platform such as researchgate. With these postcards I would like to extend these lively conversations into the physical world while at the same time, using digital channels to spread them. And last, I still think it is great to receive a postcard in the post and love sending them.

So, if you want to know how to receive a postcards, have a look here. It would be great to hear from you!

I decided not to use references in this text, but the following publications have inspired the production of the postcards and this text:
• Barthes, R., 1980, La chambre claire, Paris
• Edwards, E., 2002, Material beings: objecthood and ethnographic photographs, in Visual Studies, Vol. 17, 1
• H.R. Fricker > work in general more specifically the Steingarten Murgtal project
• Hamilakis, Y., Anagnostopoulos, A. and Ifantidis, F. (2009) Postcards from the edge of time: archaeology, photography, archaeological ethnography, in Public Archaeology, 8, (2-3), 283-309
Punk Archaeology
• Shanks, M. 1997, Photography and Archaeology, in Brian Molyneaux, B. (ed), The Cultural Life of Images: Visual representation in Archaeology
• Those two great blogs by Colleen Morgan – Middle Savagery and Bill Caraher – The archaeology of the mediterranean world