Tag Archives: PhD

The alpine Mesolithic and the scrapers from Arconciel/La Souche. Oh, and much much more!

Way back in 2014 Laure Bassin and I presented the first results of our Gestures of TransitionsGestures of Transitions project at the MesoLife conference in Selva di Cadore in the beautiful Dolomites. Now these results have been published in a new volume of Preistoria Alpina. We could increase our results beyond those presented in the poster then and are pleased to be able to show a nice summary of our study of the scrapers from the Late Mesolithic layers at Arconciel/La Souche, Switzerland.

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Late Mesolithic scrapers from Arconciel/La Souche, Switzerland. Illustration: SAEF/AAFR

Scrapers are special at this site. Not only are many extremely small, an extraordinary large proportion of tools found at Arconciel/La Souche, over 50% of tools, were scrapers. So, curious about what we found out about these seemingly so insignificant little tools? You can download the paper here:

Cornelissen, M. and Bassin, L., 2016. Alpine raw materials and the production and use of scrapers at the Swiss Late Mesolithic site of Arconciel/La Souche, Preistoria Alpina 48, pp. 11-19

Abstract
The well stratified rock shelter site of Arconciel/La Souche, Switzerland was repeatedly occupied between 7100 and 4900 cal BC. It lies in the Sarine river valley at the foot of the Prealps. This paper presents the first preliminary results of the study of the scrapers from this site. Of the chipped stone tool categories, scrapers are the most numerous found at Arconciel/La Souche. A combined technological and microscopic use wear study of the scrapers from three assemblages (ensemble
3, 4 and 5) has allowed us to examine the use and production of scrapers as well as how production and use relate to the various raw materials utilised at Arconciel/La Souche. We were able to show that although scraper morphology remained stable over time, there was a significant change in the relationship between raw materials and scraper production as well as the use of scrapers.
This research will be expanded to include other assemblages and chipped stone artefact categories from Arconciel/La Souche, but has already provided important new insights into artefact use-life in the still relatively poorly understood millennium leading up to the end of the Mesolithic on the Swiss Plateau and the nearby Prealps.

But there is even more! Preistoria Alpina has changed its set-up. The journal is now only available online and open-access. All posters from the MesoLife conference were published in this volume and are available! The papers presented one those hot summer days in the Dolomites have recently been published in volume 423 of Quaternary International. (With a little something about recent Mesolithic finds in the Swiss Alps by Thomas Reitmaier and myself.) That makes an amazing total of 48 articles on alpine Mesolithic!

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Late Mesolihtic scrapers from Arconciel/La Souche, Switzerland. Illustration: SAEF/AAFR

These two volume show how vibrant the research of the Mesolithic in alpine and mountainous enviroments has become of late and will undoubtly be shown to be valuable additions to our knowledge of the Mesolithic in Europe. Hats off to the MesoLife organisers and editors of these two volumes!

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The “Gestures of Transition” circus is still touring: This week at the Berner Zirkel!

About two weeks ago Laure Bassin and I presented our PhD research at the Universität Zürich. And that’s not it yet. We are very excited to annouce that this Thursday, December 8th, we will be talking (in German) about the “Gestures of Transitions” project at the Berner Zirkel für Ur- und Frühgeschichte. Samichlaus will be off again by then, but it will be a bag full of Mesoltihic goodies for everyone! Artefact biographies, use wear, chaînes opératoires, all based on our research on the lithic material from Arconciel/La Souche and Lutter/St-Joseph. In short the Mesolithic-Neolithic transition in Switzerland from a different point of view. The Berner Zirkel talks are aimed at the general public. Do look in if you are nearby. We would live to see you there!

Donnerstag 8.12.2016 18:30  –  Universität Bern, Hörsaal 114

Steingeschichten. Das Endmesolithikum zwischen Voralpen und Jura, geschrieben von den letzten Jäger- und Sammler/innen

Mit ihrer für das schweizerische Mittelland einzigartigen Stratigraphie ermöglicht es die Fundstelle Arconciel/La Souche (Kt. Freiburg) 2000 Jahre des Mesolithikums zu erforschen. Die ebenfalls vor wenigen Jahren untersuchte Fundstelle Lutter/St. Joseph (Elsass, FR) dient dabei als Vergleich. Im Nationalfonds-Projekt «Gestures of Transitions» wird mit neuen methodologischen Ansätzen das Ende des Mesolithikums im peri-alpinen Europa untersucht. Im Zentrum stehen Artefaktbiographien und die Kombination von technischen Untersuchungen und Gebrauchsspurenanalysen.

Wie wiederspiegeln sich die tiefgreifenden sozialen und wirtschaftlichen Veränderungen am Übergang zum Neolithikum in der Herstellung und im Gebrauch der Artefakte? Und erlauben sie es die Geschichten, welche sich an den zwei Orten abspielten, zu rekonstruieren?

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Experimentally cutting wild boar bone with hafted lithic tools. Photo: M. Cornelissen

The Berner Zirkel is also on Facebook with all sorts of new about archaeology in the canton of Berne and the region.

The “Gestures of Transition” circus is touring again!

So, have you been cooking? What do you cook on a busy day? Right, back to business. This Wednesday Laure Bassin and I will be talking (in German) about the “Gestures of Transitions” project a the Universität Zürich. An hour of Mesolithic, artefact biographies, use wear, chaînes opératoires, Arconciel/La Souche, Lutter/St-Joseph; the Mesolithic-Neolithic transition in Switzerland from a different point of view. So, if you are anywhere near Zürich on wednesday, do look in. We look forward to seeing you!

Wed. 23rd Nov. 2016. 18:15   –  Universität Zürich, ARCH, FB Prähistorische Archäologie, Karl-Schmid-Str. 4 – Raum KO2-F-153

Steingeschichten. Das Endmesolithikum zwischen Voralpen und Jura, geschrieben von den letzten Jäger- und Sammler/innen

MA Laure Bassin (Université de Neuchâtel), Marcel Cornelissen, MA (Universität Zürich)
Im Rahmen des «Gestures of Transitions»-Projektes wird der Übergang  Mesolithikum-Neolithikum am Nordrand der Alpen untersucht. Grundstein dieser Untersuchung ist eine innovative, kombinierte Analyse der Technologie, der chaȋnes opératoires sowie der makro- und mikroskopischen Gebrauchsspuren an den geschlagenen Steinartefakten aus gut stratifizierten Fundensemble von Arconciel/La
Souche (Kt. Freiburg) und Lutter/St. Joseph (Elsass, Frankreich) aus dem 7./6. Jt. v. Chr.). Das Projekt untersucht ob und wie sich die tiefgreifenden sozialen und wirtschaftlichen Änderungen am Übergang zum Neolithikum in der Herstellung und im Gebrauch der Artefakte wiederspiegeln. Die Entwicklung in den Gesten der Werkzeugherstellung und des Gebrauchs lässt neues Licht auf die letzten Jäger- und Sammler/innen im peri-alpinen Europa werfen.

Cooking up a PhD

Last week I spend in a self-imposed writing retreat. I’ve found that this, if I am at the right stage in my work and feel like it (it can get lonely), gives my productivity a good boost. It works for me; I was able to get on really well with a large chapter of my PhD that I had been struggling with for a while. You might want to give it a try. The old advice of sleep well, exercise and eat well, however boring it may sound, is sound as well. But when you are writing you want to write and you don’t want to spend a lot of time cooking. Next to the cabin in which I spend my retreat grows a lovely fig tree and against all the odds I still got a handful of ripe figs every day all week. So, what better then to use them for an easy, tasty dinner?

MARCEL’S FIG PIZZA

We’re doing this the easy way, right? So I buy a ready made pizza base/dough. You can buy ones here (Switzerland) which are ca. 30cm diam. (ca. 3-320 g) and you just need to roll them out. The kind of cheese I use depends a bit what happens to be lying about in the fridge. What I think works best is a combination of a milder cheese, such as a vacherin, emmentaler, jongbelegen or mild cheddar, with something with a bit more taste, like an old gruyère, parmesan or something else, as long as it melts well.

You might not get figs anymore this time of year. It works a treat with pears as well!

It is a good snack for 2, perhaps with a small salad. Or it will make one hungry PhD student happy.

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this year’s last figs

You need:

  • 1 pizza doug
  • ca. 4-5 ripe figs or a decent sized pear
  • 2 hands full of grated cheese (see above; you can never have enough cheese on anything, can you?)
  • a few slices of dry-cured ham (prosciutto di parma, jamon serrano, Schwarzwälder Schinken, something like that)
  • some chopped garlic, if you want
  • thyme
  • 1 tb olive oil

Now, get cookin’:

  • lay/roll out the pizza dough and prepare as described on the packaging
  • rub lightly with some oil and sprinkle over some salt if you want
  • spread the cheese over the base
  • sprinkle with a bit of thyme
  • tear up the ham and spread it over the cheese
  • cut the figs in quarters – or the pear in thin-ish slices – and place on the pizza

Bake at ca. 240ºc in the bottom half of the oven until the cheese has melted and the base is crisp, probably about 12 min (but you might want to look at the instructions on the dough packaging, though!).

Enjoy, and remember you can’t write on an empty stomach!

P.S. So, what food keeps you writing?

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Autumn writing

We have spend a few amazing autumn days on a lake in the Swiss Alps. My amazing, supportive wife has now left me alone at the lake to spend a week to try and finish a section of my PhD thesis in splendid solitude.

Well that, and to eat the last ripe figs of the tree!

Gallery

Experimenting with notched blades

This gallery contains 2 photos.

Transforming prehistoric gestures into present day objects. Turning your (PhD-)research into postcards.

Like many archaeologists, I spend my days in a lab or at a desk. I study microscopic traces of use on Late Mesolithic and very early Neolithic stone artefacts to try to find out what these tools were actually used for all those thousands of years ago. By understanding the use of various types of tools we hope to understand the lives and activities on the sites they were found (Arconciel/La Souche and Lutter/St. Joseph) and in Switzerland/Western France at the time of the last hunter-gatherers and the first farmers here. This period, roughly 6500 to 4800 BC, is a fascinating period, during which many things, not least the economy, changes. That is the story I wanted to tell and I wanted to do this in a light-hearted and accessible way. At the same time I wanted to avoid the typical channels of public outreach. But I did want to show the beauty of the process of doing archaeology. This fascination for the archaeology of hunter-fisher-gatherer societies and the transition from the Mesolithic to the Neolithic of the early Holocene together with the wonder of seeing the activities and lives of people who lived such different lives from us in these small stone artefacts were the main reason behind the decision to do something with all the photos I am taking at the microscope.

We archaeologists often tell stories about the sites and objects we study after we have finished excavating and have done with all our analyses. Often the stories we tell are presented as complete and certain, while actually they are often complex and full of ambiguity and are seldom truly finished. We also show reconstructions or we invite the public to visit our excavations, the archetypical activity of archaeologists, and tell stories about and show photos from our digs in more or less exotic localities. But we rarely show the processes and the work we spend most of our time on: Our work in labs, in offices in dark basements of archaeological institutes, hot dighouses or even cold office containers on excavation sites. I hope to show some of these processes of making sense of the archaeological remains and knowledge creation through these postcards. Our, my daily work and the beautiful and fascinating things and objects this work creates and which are seldom seen by anyone.

Most visual depictions by archaeologists either try to show realistic or natural representations of archaeological remains, objects or archaeological deposits or they try to tell a story by creating visual reconstructions. Others are more picturesque and depict the archaeology in the context of the other, the exotic. A fourth category of archaeological visualisations are ethnographic in nature. Especially the first three types of images are usually published in scientific archaeological publications and reports. If the process of doing archaeology is recorded, it is often in the form of the ethnography of archaeology. With these postcards I hope to document the process of archaeology in a differing way. Furthermore, by publishing them on postcards, these photos are able to leave the elitist and restricted realm of scientific publication and other environments in which archaeology can usual be found, be it museums or public monuments or websites. The postcards feature microscopic photos of use wear traces and thus transform the gestures of people in the distant past into material haptic objects in the everyday lives of people in the twenty-first century.

Further inspirations for this little postcards project are the latent undercurrent of and recent call for more alternative and punk-ethos in certain circles in the archaeological community and the stones of the Murgtal Steingarten-project and Mail Art activities of concept artist H.R. Fricker. They stimulated me in the first place to produce something relatively inexpensive and easy to produce (of course, this would not have been possible without the great Ben Peyer of Version1!), common objects, but also something that could feature in everyday life and does not require huge effort on the part of the beholder. Postcards fitted the bill. On the one hand they are collectable objects, on the other they are mundane, everyday objects.

The postcards me and Ben made certainly don’t follow the visual vocabulary of the punk-tradition, but using such mundane objects for publicising my PhD-research and injecting them into everyday life, they might refer to some extend to the punk-ethos. Not unlike the visual output of punk culture, Mail-Artists in the second half of the 20th century made a lot of use of collage and montage techniques as well as stamps and other media and also had a strong d-i-y tradition. Furthermore, I hope the postcards also refer in a tongue-in-cheek manner to the Mail-Art movement and the way scientists in the past – before scientific journals became so common – spread and discussed their scientific findings by correspondence and letters.

Both the punk and the Mail Art movements were also about creating and maintaining communities at various scales. Lately, a lot of exchange between archaeologists and scientists in general takes place in the digital world, via email, social media, blogs, podcasts and platform such as researchgate. With these postcards I would like to extend these lively conversations into the physical world while at the same time, using digital channels to spread them. And last, I still think it is great to receive a postcard in the post and love sending them.

So, if you want to know how to receive a postcards, have a look here. It would be great to hear from you!

I decided not to use references in this text, but the following publications have inspired the production of the postcards and this text:
• Barthes, R., 1980, La chambre claire, Paris
• Edwards, E., 2002, Material beings: objecthood and ethnographic photographs, in Visual Studies, Vol. 17, 1
• H.R. Fricker > work in general more specifically the Steingarten Murgtal project
• Hamilakis, Y., Anagnostopoulos, A. and Ifantidis, F. (2009) Postcards from the edge of time: archaeology, photography, archaeological ethnography, in Public Archaeology, 8, (2-3), 283-309
Punk Archaeology
• Shanks, M. 1997, Photography and Archaeology, in Brian Molyneaux, B. (ed), The Cultural Life of Images: Visual representation in Archaeology
• Those two great blogs by Colleen Morgan – Middle Savagery and Bill Caraher – The archaeology of the mediterranean world