Category Archives: Lutter/St. Joseph

The unexpected little joys of lithic use wear analyses II

A little while ago I posted a photo of a crystal inclusion in a white flint bladelet. I promised to post some more, whenever I think of it. So here is another example of the beautiful things I have encountered doing the use wear analyses. This burnt flint bladelet, like the last example from Late Mesolithic layers at Lutter/St. Joseph, France, did not show any signs of use. However, the microscope does show beautifully the microfossils within the flint, or possibly radiolarite, out of which it was made. And, like the last example, this photo also shows the possibilities of the digital microscope I have been able to use for the study of the use wear analyses of Late Mesolithic artefacts from two Lutter/St. Joseph, France and Arconciel/La Souche, Switzerland.

Microfossils, Lutter/St. Joseph. France. Mesolithic

Micro-fossils in a Late Mesolithic burnt retouched bladelet from Lutter/St. Joseph, France. Composite (focus stacking) image (150x) I made with a Keyence Digital microscope (Dep. Of Geosciences at the Université du Fribourg, Switzerland.)

The unexpected little joys of lithic use wear analyses I

Sometimes, when doing the microscopic analyses of use wear traces I come across fascinating things that have little to do with the actual use wear of the tools being studied. Instead they either provide something of a background to their natural origins or are just visually interesting. The digital microscope I have been using at the Dep. Of Geosciences at the Université de Fribourg, Switzerland has many technical possibilities. It allows me to document not only the use wear traces using a variety of photographic technologies. It also provides the opportunity to record composite photos such as this one of an otherwise not very interesting bladelet fragment from the site of Lutter/St. Joseph, in the French Alsace. I’ll try to publish a few more of such examples in the near future.

Lutter/St. Joseph, France. Crystal inclusion in a Mesolithic flint bladelet.

Crystal inclusion in a Late Mesolithic flint bladelet fragment from Lutter/St. Joseph, France. Composite (focus stacking) image (100x) I made with a Keyence Digital microscope (Dep. Of Geosciences at the Université du Fribourg, Switzerland.)

The “Gestures of Transition” circus is still touring: This week at the Berner Zirkel!

About two weeks ago Laure Bassin and I presented our PhD research at the Universität Zürich. And that’s not it yet. We are very excited to annouce that this Thursday, December 8th, we will be talking (in German) about the “Gestures of Transitions” project at the Berner Zirkel für Ur- und Frühgeschichte. Samichlaus will be off again by then, but it will be a bag full of Mesoltihic goodies for everyone! Artefact biographies, use wear, chaînes opératoires, all based on our research on the lithic material from Arconciel/La Souche and Lutter/St-Joseph. In short the Mesolithic-Neolithic transition in Switzerland from a different point of view. The Berner Zirkel talks are aimed at the general public. Do look in if you are nearby. We would live to see you there!

Donnerstag 8.12.2016 18:30  –  Universität Bern, Hörsaal 114

Steingeschichten. Das Endmesolithikum zwischen Voralpen und Jura, geschrieben von den letzten Jäger- und Sammler/innen

Mit ihrer für das schweizerische Mittelland einzigartigen Stratigraphie ermöglicht es die Fundstelle Arconciel/La Souche (Kt. Freiburg) 2000 Jahre des Mesolithikums zu erforschen. Die ebenfalls vor wenigen Jahren untersuchte Fundstelle Lutter/St. Joseph (Elsass, FR) dient dabei als Vergleich. Im Nationalfonds-Projekt «Gestures of Transitions» wird mit neuen methodologischen Ansätzen das Ende des Mesolithikums im peri-alpinen Europa untersucht. Im Zentrum stehen Artefaktbiographien und die Kombination von technischen Untersuchungen und Gebrauchsspurenanalysen.

Wie wiederspiegeln sich die tiefgreifenden sozialen und wirtschaftlichen Veränderungen am Übergang zum Neolithikum in der Herstellung und im Gebrauch der Artefakte? Und erlauben sie es die Geschichten, welche sich an den zwei Orten abspielten, zu rekonstruieren?

cutting_bone

Experimentally cutting wild boar bone with hafted lithic tools. Photo: M. Cornelissen

The Berner Zirkel is also on Facebook with all sorts of new about archaeology in the canton of Berne and the region.

The “Gestures of Transition” circus is touring again!

So, have you been cooking? What do you cook on a busy day? Right, back to business. This Wednesday Laure Bassin and I will be talking (in German) about the “Gestures of Transitions” project a the Universität Zürich. An hour of Mesolithic, artefact biographies, use wear, chaînes opératoires, Arconciel/La Souche, Lutter/St-Joseph; the Mesolithic-Neolithic transition in Switzerland from a different point of view. So, if you are anywhere near Zürich on wednesday, do look in. We look forward to seeing you!

Wed. 23rd Nov. 2016. 18:15   –  Universität Zürich, ARCH, FB Prähistorische Archäologie, Karl-Schmid-Str. 4 – Raum KO2-F-153

Steingeschichten. Das Endmesolithikum zwischen Voralpen und Jura, geschrieben von den letzten Jäger- und Sammler/innen

MA Laure Bassin (Université de Neuchâtel), Marcel Cornelissen, MA (Universität Zürich)
Im Rahmen des «Gestures of Transitions»-Projektes wird der Übergang  Mesolithikum-Neolithikum am Nordrand der Alpen untersucht. Grundstein dieser Untersuchung ist eine innovative, kombinierte Analyse der Technologie, der chaȋnes opératoires sowie der makro- und mikroskopischen Gebrauchsspuren an den geschlagenen Steinartefakten aus gut stratifizierten Fundensemble von Arconciel/La
Souche (Kt. Freiburg) und Lutter/St. Joseph (Elsass, Frankreich) aus dem 7./6. Jt. v. Chr.). Das Projekt untersucht ob und wie sich die tiefgreifenden sozialen und wirtschaftlichen Änderungen am Übergang zum Neolithikum in der Herstellung und im Gebrauch der Artefakte wiederspiegeln. Die Entwicklung in den Gesten der Werkzeugherstellung und des Gebrauchs lässt neues Licht auf die letzten Jäger- und Sammler/innen im peri-alpinen Europa werfen.

Transforming prehistoric gestures into present day objects. Turning your (PhD-)research into postcards.

Like many archaeologists, I spend my days in a lab or at a desk. I study microscopic traces of use on Late Mesolithic and very early Neolithic stone artefacts to try to find out what these tools were actually used for all those thousands of years ago. By understanding the use of various types of tools we hope to understand the lives and activities on the sites they were found (Arconciel/La Souche and Lutter/St. Joseph) and in Switzerland/Western France at the time of the last hunter-gatherers and the first farmers here. This period, roughly 6500 to 4800 BC, is a fascinating period, during which many things, not least the economy, changes. That is the story I wanted to tell and I wanted to do this in a light-hearted and accessible way. At the same time I wanted to avoid the typical channels of public outreach. But I did want to show the beauty of the process of doing archaeology. This fascination for the archaeology of hunter-fisher-gatherer societies and the transition from the Mesolithic to the Neolithic of the early Holocene together with the wonder of seeing the activities and lives of people who lived such different lives from us in these small stone artefacts were the main reason behind the decision to do something with all the photos I am taking at the microscope.

We archaeologists often tell stories about the sites and objects we study after we have finished excavating and have done with all our analyses. Often the stories we tell are presented as complete and certain, while actually they are often complex and full of ambiguity and are seldom truly finished. We also show reconstructions or we invite the public to visit our excavations, the archetypical activity of archaeologists, and tell stories about and show photos from our digs in more or less exotic localities. But we rarely show the processes and the work we spend most of our time on: Our work in labs, in offices in dark basements of archaeological institutes, hot dighouses or even cold office containers on excavation sites. I hope to show some of these processes of making sense of the archaeological remains and knowledge creation through these postcards. Our, my daily work and the beautiful and fascinating things and objects this work creates and which are seldom seen by anyone.

Most visual depictions by archaeologists either try to show realistic or natural representations of archaeological remains, objects or archaeological deposits or they try to tell a story by creating visual reconstructions. Others are more picturesque and depict the archaeology in the context of the other, the exotic. A fourth category of archaeological visualisations are ethnographic in nature. Especially the first three types of images are usually published in scientific archaeological publications and reports. If the process of doing archaeology is recorded, it is often in the form of the ethnography of archaeology. With these postcards I hope to document the process of archaeology in a differing way. Furthermore, by publishing them on postcards, these photos are able to leave the elitist and restricted realm of scientific publication and other environments in which archaeology can usual be found, be it museums or public monuments or websites. The postcards feature microscopic photos of use wear traces and thus transform the gestures of people in the distant past into material haptic objects in the everyday lives of people in the twenty-first century.

Further inspirations for this little postcards project are the latent undercurrent of and recent call for more alternative and punk-ethos in certain circles in the archaeological community and the stones of the Murgtal Steingarten-project and Mail Art activities of concept artist H.R. Fricker. They stimulated me in the first place to produce something relatively inexpensive and easy to produce (of course, this would not have been possible without the great Ben Peyer of Version1!), common objects, but also something that could feature in everyday life and does not require huge effort on the part of the beholder. Postcards fitted the bill. On the one hand they are collectable objects, on the other they are mundane, everyday objects.

The postcards me and Ben made certainly don’t follow the visual vocabulary of the punk-tradition, but using such mundane objects for publicising my PhD-research and injecting them into everyday life, they might refer to some extend to the punk-ethos. Not unlike the visual output of punk culture, Mail-Artists in the second half of the 20th century made a lot of use of collage and montage techniques as well as stamps and other media and also had a strong d-i-y tradition. Furthermore, I hope the postcards also refer in a tongue-in-cheek manner to the Mail-Art movement and the way scientists in the past – before scientific journals became so common – spread and discussed their scientific findings by correspondence and letters.

Both the punk and the Mail Art movements were also about creating and maintaining communities at various scales. Lately, a lot of exchange between archaeologists and scientists in general takes place in the digital world, via email, social media, blogs, podcasts and platform such as researchgate. With these postcards I would like to extend these lively conversations into the physical world while at the same time, using digital channels to spread them. And last, I still think it is great to receive a postcard in the post and love sending them.

So, if you want to know how to receive a postcards, have a look here. It would be great to hear from you!

I decided not to use references in this text, but the following publications have inspired the production of the postcards and this text:
• Barthes, R., 1980, La chambre claire, Paris
• Edwards, E., 2002, Material beings: objecthood and ethnographic photographs, in Visual Studies, Vol. 17, 1
• H.R. Fricker > work in general more specifically the Steingarten Murgtal project
• Hamilakis, Y., Anagnostopoulos, A. and Ifantidis, F. (2009) Postcards from the edge of time: archaeology, photography, archaeological ethnography, in Public Archaeology, 8, (2-3), 283-309
Punk Archaeology
• Shanks, M. 1997, Photography and Archaeology, in Brian Molyneaux, B. (ed), The Cultural Life of Images: Visual representation in Archaeology
• Those two great blogs by Colleen Morgan – Middle Savagery and Bill Caraher – The archaeology of the mediterranean world

 

Going down the Danube – Meso2015

Last week we received confirmation our abstract for a paper at the 9th International Conference on the Mesolithic in Europe (Belgrade, sept 2015) has been accepted. The program is now online as well. See you in Belgrade!

Late Mesolithic artefact biographies. Integrating technological and use wear analyses of the chipped stone artefacts from Arconciel/La Souche (CH) and Lutter/St-Joseph (F).

This paper presents the results of our combined technological and microscopic use wear studies of the chipped stone assemblages from two multi-occupational sites dating between 7000 and 5000 BC located north of the Swiss Alps.
These sites, Arconciel/La Souche (CH) and Lutter/St-Joseph (F), are situated in the Sarine Valley at the foot of the Swiss Prealps and in the French Jura mountains respectively. Recently excavated and well-stratified, they allow new insights into the still relatively poorly understood developments at the end of the Mesolithic on the Swiss Plateau. The sites are located within different geographical and archaeological contexts. Whereas Lutter/St-Joseph is situated on the edge of the known LBK occupation of the Alsace and southern Germany, Arconciel/La Souche is located on the Swiss Plateau, between influences from the Rhone and Rhine valleys.
The integration of these two methodological approaches leads to an increased and more comprehensive understanding of artefact biographies, of the development of production techniques and artefact use, during the end of the Mesolithic and the transition to farming in the research area. It also allows further interpretation of the Mesolithic occupation and the transition to the Neolithic on the Swiss Plateau in general.

Marcel Cornelissen, MA
Universität Zürich
Insititut für Archäologie, Fachbereich Prähistorische Archäologie

Laure Bassin, MA
Université de Neuchâtel
Chaire d’archéologie pré- et protohistorique

Sickles? You’ve been wondering about sickles?

In Switzerland the Neolithic first becomes really visible around 4300 BC, in fact it bursts onto the scene quite extravagantly. Palafittes, Seeufersiedlungen, lake side villages. Because of the fantastic preservation of organic finds such as wood and bone, they are the showstoppers of Swiss archaeology.

Sickle from Egolzwil, canton Lucerne, Switzerland; ca. 4300 BC. Ash wood, birch tar and flint. Figure adapted from: Bachman & Hügi, 2004, Die Pfahlbauer/Les Lacustres: 150 Objekte erzählen 150 Geschichten / 150 objets racontent 150 histoires, p. 117

Sickle from Egolzwil, canton Lucerne, Switzerland; ca. 4300 BC. Wood and flint. Adapted from: Bachman & Hügi, 2004, Die Pfahlbauer/Les Lacustres: 150 Objekte erzählen 150 Geschichten / 150 objets racontent 150 histoires, p. 117

I have been wondering about sickles lately. About sickles of the earliest Neolithic and perhaps the latest Mesolithic and about the way they were used and what they might have been used to harvest. As finds of any kind dating to the earliest Neolithic up to about 4500 BC are very very rare in what is now Switzerland, it makes sense to use the fantastic archaeological archive of the Lake side villages. (Sickles also play quite a role in the history of use wear analysis and more here.)

4500 BC. That is when the Late Neolithic starts here. Before that there are a barely visible Early (from ca. 5500 BC) and Middle Neolithic (from ca. 5000 BC). We known of a few sites dating to the Early Neolithic, though. Some very rare

LBK settlements are found, mostly in those few scraps of Swissness north of the Rhine, such as two sites in Gächlingen, Schaffhausen and Bottmingen/Bäumliackerstrasse, Basel. A small remnant of an early deposit at the site of Herznach-Unterdorf, in the Aargauer Jura might be the first place where LBK pottery was found south of the Rhine (JbAS 2013, p. 172). Further “Neolithic” finds are know from unstratified contexts or from sites otherwise attributed to the Late Mesolithic. This includes La Hoguette pottery fragments and/or Bavans projectile points from, for example Baulmes/Abri de la Cure and Mont la Ville/Col du Mollendruz, Abri Freymond or sites in the canton of Lucerne. And indeed from Lutter/St. Joseph (FR), one of the two sites from which I am studying finds for my PhD, Grossgartach pottery is known. Lastly, occasionally occupation layers older than the Late Neolithic lake side villages are observed underneath Late Neolithic deposits, but the evidence is scant and there is not much more to say about these or the sickles that might once have been used by the people living in Bottmingen or in Baumles or Lutter. In the Alsace, North of my study sites, relatively many Early Neolithic sites are known.

Sickle from Burgäschisee, canton Berne, Switzerland; ca. 3500 BC. Adapted from: Osterwalder & André, 1980. Fundort Schweiz Band 1.

Sickle from Burgäschisee, canton Berne, Switzerland; ca. 3500 BC. The extention at the top of the photo will have had a similar function as the hook on the sickle shown below.
Figure adapted from: Osterwalder & André, 1980. Fundort Schweiz Band 1.

Together with the archaeobotanical discussion about cereal-type pollen from off-site locations, the small Early Neolithic archaeological record leaves many questions unanswered. Questions about the definition of the “Neolithic” and “Mesolithic”, about the economies of the 7th and 6th millennium BC, about harvesting technologies and their first appearances in the archaeological record of the region. Naturally, this will all feature in my PhD research, in fact I have already conducted harvesting experiments (and here). But what do these sickles look like? Their striking variation is shown by the examples shown here. They are some of the older, well preserved sickles from Swiss (Late) Neolithic lake side villages. So, yes, sickles.

Sickle from Egolzwil, canton Lucerne, Switzerland; ca. 38000 BC. Figure adapted from: Bachman & Hügi, 2004, Die Pfahlbauer/Les Lacustres: 150 Objekte erzählen 150 Geschichten / 150 objets racontent 150 histoires, p. 125

Sickle from Egolzwil, canton Lucerne, Switzerland; ca. 38000 BC. Ash wood, birch tar and flint. The hook at the end of the sickle (right) supposedly was used to collect a bunch of stems which can be grabbed with the free hand and then be cut with the sickle blade.
Figure adapted from: Bachman & Hügi, 2004, Die Pfahlbauer/Les Lacustres: 150 Objekte erzählen 150 Geschichten / 150 objets racontent 150 histoires, p. 125

P.S. I thought I would not bother you with references to scientific literature this time. Many can be found on hazelnut_relations. But do get in touch if you have questions.